When I got there at 5:30 p.m. it wasn’t completely dark yet so the Water-Towers didn’t seem lit (although they were). The illumination is quite dim and requires almost complete darkness to see well.
Still, even like that these 69 cylinders are intriguing against the desert backdrop.
Walking around, I came upon various other Bruce Munro pieces that showed up better at dusk. The glowing spheres in the next set of photos are called Eden Blooms. They are installed in the Sybil B. Harrington Cactus and Succulent Galleries.
The dome in the plaza between the two sections of the Sybil B. Harrington Cactus and Succulent Galleries was pulsating with color, attracting a lot of attention. Called Beacon, this piece is based on a superstructure originally designed for greenhouses. Thousands of plastic bottles are threaded with lengths of color-changing fiber optics.
Beacon is the perfect name for this piece because it does beckon from afar, promising warmth, shelter, and hope.
Suspended from the curved roofs of the Sybil B. Harrington Cactus and Succulent Galleries, Chindi consists of prismatic acrylic rods, 21 ft. high and 5 ft. wide. The design was inspired by dust devils Munro saw when he lived in Australia.
Fireflies meander their way through plantings of cacti and agaves. They were the smallest of Munro’s pieces and would work quite well in a residential setting.
I was so focused on Bruce Munro’s pieces that I occasionally forgot to pay attention to the 8,000 luminaria bags that decorated the garden for the holidays. They are a major attraction in and of themselves. The candles are hand-lit (!) every night by what must be a veritable army of volunteers.
But back to Bruce Munro. Garden Butte, the hill behind the DBG, is covered with 30,000 spheres connected by miles of fiber optic cable. These Fields of Light cascade down the hillside onto the Sonoran Desert Loop Trail.
The original inspiration came from a visit to Uluru (formerly known as Ayers Rock) in the Australian outback:
I wanted to create an illuminated field of stems that, like the dormant seed in a dry desert, would burst into bloom at dusk with gentle rhythms of light under a blazing blanket of stars. (1)
This was a difficult feature to photograph. Because of the long exposure required, the changing colors merged into a yellowish hue. The following video, while not great, at least gives you an idea of how organically the color shift occurs.
Here is a series of photos I took from the top of the Sonoran Desert Loop Trail. From this spot you have a fantastic view of the Garden Butte, and you can see how extensive these Fields of Light really are. Again, please bear in mind that the colors are shifting continuously. In these static photos (long exposure of up to 30 seconds), the colors ended up mostly as yellow or orange hues.
A few more luminaria shots taken on my way to the Water-Towers installation:
The Water-Towers installation was my personal highlight. Now that it was completely dark, the constantly shifting colors of these 69 glowing cylinders, each about 6 ft. tall and consisting of over 200 water bottles threaded with fiber optics, produced a multisensory experience of pure magic. According to Bruce Monro’s website:
At the age of 21 Munro read a book called The Gifts of Unknown Things by Lyall Watson, a radical thinker operating on the margins of accepted science. In it Watson describes Tia, a young girl living on an island in the Indonesian archipelago who possesses the magical gift of seeing sounds in colour, a phenomenon known as Colour Synesthesia. Watson also claimed the Earth has a natural pulse in the upper atmosphere, resonating at a rate of 69 beats per day. The pulse forms a deep note well below human powers of hearing. As a tribute to Watson, Water-Towers consists of 69 towers that change colour in response to the music emanating from within them. Each tower is about two meters tall and made from over 200 stacked water bottles illuminated by optic fibres. In their original formation the towers resembled enormous liquid batteries of light arranged in a maze formation. Music emanates from the towers; the soundtrack reflects the musical diversity of many nations.
Here is an animated GIF that shows how the colors change (I really should have taken a video so you could have heard the otherworldly music as well):
And another animation:
The final Bruce Monro piece I photographed, Saguaro, is a large steel and acrylic structure near the entrance. It represents the elements that caught Munro’s imagination when he first visited the DBG in December 2013.
As I was leaving the garden, I couldn’t help but take a picture of Dale Chihuly’s Desert Towers at the entrance:
Even the parking lot lighting made me feel all warm and fuzzy:
What an unforgettable evening that was!
About Bruce Munro
British artist Bruce Munro is best known for immersive large-scale light-based installations inspired largely by his interest in shared human experience. Recording ideas and images in sketchbooks has been his practice for over 30 years. By this means he has captured his responses to stimuli such as music, literature, science, and the world around him for reference, reflection, and subject matter. This tendency has been combined with a liking for components and an inventive urge for reuse, coupled with career training in manufacture of light. As a result Munro produces both monumental temporary experiential artworks as well as intimate story-pieces. (2)
To see more of Munro’s installations, visit his website: http://www.brucemunro.co.uk/.
Sonoran Light will continue at the Desert Botanical Garden until May 8, 2016. Visiting the garden at night requires a separate ticket. For more information, visit https://www.dbg.org/events/bruce-munro-sonoran-light.